Matthew 20

The seventh movement from Stopford's Missa Deus Nobiscum, the Benedictus is reflective and "blessed," for he who comes in the name of the Lord is God with us.

Simple setting of the short form of the mass: Kyrie, Sanctus, Benedictus, and Agnus Dei, with the addition of a response, and a benediction. It uses the approved translation of the Latin text and is based

This exciting setting of the Latin text extracted from the larger Missa Romantica appears in two versions: the first is accompanied as it appears in the larger work; the second is an a cappella version for

Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's

This setting of the traditional Latin text was written as a memorial with a soothing and calming effect. The piece opens with a solo, then moves into contemporary harmonies along with some polyphonic vocal

A refreshing take on the traditional Latin text from the Requiem Mass takes inspiration from the great settings of the past but uses suspended, sustained melodic lines and open harmonies to create a

The traditional Latin "eternal light" text is brought to life in this a cappella work. With plenty of room for rubato and dynamic expression, this piece employs a variety of choral textures with an approach

The opening section of Faure's beloved Requiem could easily be considered a classic in its own right. Conductor and former Chanticleer singer Sanford Dole has done a marvelous job adapting it for a cappella

Extracted from his larger work "Requiem Novum," this Sanctus movement stands on its own as a concert work with organ accompaniment. Written for and beautifully recorded by the VOCES8 Foundation